公司标志
This page displays samples of corporate identity design and collateral items, including logos, letterheads, envelopes, business cards, flags, buttons, and others. In terms of elements of design, the logos could be classified into the following categories: (1) letter forms only, (2) letter forms with slight inclusion of graphic elements, (3) graphic elements plus letter forms, and (4) 3D objects plus letter forms. Unless otherwise indicated, all items displayed in this page are completed in Illustrator and Photoshop. For information of different styles of logos founding Greater Los Angeles and other areas of the United States, go to the research paper titled Logos and Signage in Los Angeles and Some Other American Cities (to be uploaded soon).
Any question? Please email me: [email protected]
Any question? Please email me: [email protected]
California State University Northridge University Improvement Corporation Logo
This logo has been designed for the University Improvement Corporation, an institution of business operation associated with California State University Northridge, in 1996,when I worked there as a full-time Graphic Artist. The logo and collateral items in this project have been originally completed in Macromedia FreeHand.
SuniSea Product + Graphic Design Studio Logo
I created this logo in 1993, for the SuniSea COMBO Multi-functional Food Processor, which won an Honorable Mention from 1993 GoldStar (now LG, headquartered in South Korea) International Design Competition, while in the senior year of my undergraduate studies with a major in Industrial Design at California State University, Northridge. This is a typical example of a logo based on graphic elements combined with letter forms. The logo and collateral items in this project have been originally completed in Macromedia FreeHand. The logo for the ecologically friendly, multi-functional product includes two concepts: (1) the Sun that gives energy to life and creation, and (2) the Sea that connects the Five Continents (a symbol of Globalization and multi-culturalism); the red sun symbolizes the ideals of social progress, in terms of human rights, ecological justice and technological innovation; the three blue waves symbolize the three types of harmony: (1) Eco-Harmony among all living creatures, i.e., among humans and animals especially the endangered species, (2) Ethno-Harmony among all nations and races of peoples in the One World of Harmony in the Age of Globalization, and (3) Socio-Harmony among all social classes in the modern world through peaceful evolution towards a New Jerusalem as advocated by the Prophet Isaiah; the two crests of the waves suggest the East or traditional technologies and the West or modern sciences. This logo has become the trademark of my professional services.
Suggested Project:
Create a 3D logo that allows viewers to interpret related but different meanings from at least two different views, write a statement to explain the meaning and application of your logo, make a sketch of your design in isometric or perspective view and scan it; and if possible, make a 3D model in Maya, 3rs MAX, AutoCAD, Inventor or other 3D modeling program, shoot a screen shot and save it as a JPEG file. Email me the statement, the scanned sketch, and the screen shot, together with a short paragraph stating your request and authorization to publish it on my website’s Student Works Section, including your name and the name of your school; if you want viewers to contact you through email, please indicate so. If your work is interesting to me, I will upload it to my website.
The New Eight Banners Online Forum Logos
The Eight Banners were the administrative, military, economic and charitable organizations of the Manchu Nation, a small ethnic minority currently numbering 10.5 million in China with an unknown number of people living in South East Russia and other parts of the world. The Manchu people are descendents of a collection of different ethnic groups living in North Eastern part of China called Manchuria and today’s South Eastern part of Russia (the Outer Manchuria), including Jurchens or Nuzhen (the mainstream and backbone of the Manchu Nation), Mongolian, and Han-Chinese, the three major groups that constituted its basic genetic and cultural heritage. Over the years, the Manchus absorbed a small number of Russian, Hui Muslims, Sibe, Solon, and even Vietnamese into their rank. In 1583, Nurhaci, a chieftain of Jianzhou Left Guard, reunified Jurchen tribes, established a military system called “Eight Banners” to organized Jurchen soldiers as “Bannermen” and ordered his scholar Erdeni and minister Gagai to create a new Jurchen script (later known as Manchu script) by referencing Mongolian alphabet. By 1635, the three ethnic groups living in Manchuria were integrated into the Three Branches of the Eight Banners, the social, economic, political, military and charitable organizations that made up the Daicing Gurun (“The Nation of Vanguards” in Mongolian language); and they were renamed as the Manchus, after Mañjuśrī or “Gentle Glory” in Sanskrit, a bodhisattva associated with transcendent wisdom in Mahāyāna Buddhism, by Hong Taiji, a son of Nurhaci and Emperor of the Great Qing Empire. In 1644, Chinese rebels overthrew the Min Dynasty regime after a bloody civil war lasting more than a decade; Wu Shangui, the Commander of Ming Dynasty Garrison at Shanhaiguan Pass, a fortified border city separating Ming territory and Manchu territory, requested the Eight Banners to help suppress the rebels. Thus, the Eighth Banners came to China Proper, restored peace in China and integrated it with Tibet, Mongolia, Eastern Turkistan, Manchuria and Qinghai into a multi-cultural and multi-racial Great Qing Empire of China. In the recent three decades (since Deng Xiaoping’s implementation of “Reform and Open Door” policies), the Manchus started a revival of their traditional culture in China; and many of them immigrated to the United States, Great Britain, Canada, Australia, Sweden and other countries. The logos displayed below are associated with Manchu issues.
The Golden Sun with Twenty-Four Rays of Light is symbolic of the determination of the Manchus to contribute to the progress and happiness of the Mankind all over the Five Continents where the sun never sets. The Red Sky is symbolic of the red clouds in the sky at the time of sunrise. The three green waves are symbolic of the three periods of prosperity in Asia’s history brought directly or promoted behind the scene by the Manchus.
1. The founding of the first truly multi-cultural nation-state in China under the Great Qing Empire,
2. The Constitutional Reform and Self-Strengthening Movement that brought China to modernity and to a short period of genuine Western-style democratic rights and civil liberties under Constitutional Monarchy (1906-1911),
3. The endeavors to restored Chinese people’s traditional cultural heritage and moral values in the most recent decades by promoting a more honest version of China’s modern history).
The triangular Blue Sky and Ocean are symbolic of scientific exploration and integration with the mainstream of international community. The colors used are those of the flags of the Manchu Eight Banners (red, yellow, blue and white) and of the Chinese Green Standard Army.
1. The founding of the first truly multi-cultural nation-state in China under the Great Qing Empire,
2. The Constitutional Reform and Self-Strengthening Movement that brought China to modernity and to a short period of genuine Western-style democratic rights and civil liberties under Constitutional Monarchy (1906-1911),
3. The endeavors to restored Chinese people’s traditional cultural heritage and moral values in the most recent decades by promoting a more honest version of China’s modern history).
The triangular Blue Sky and Ocean are symbolic of scientific exploration and integration with the mainstream of international community. The colors used are those of the flags of the Manchu Eight Banners (red, yellow, blue and white) and of the Chinese Green Standard Army.
Logos for Other Non-Profit Organizations
The February 28 (1947) Incident is an armed uprising of the people of Taiwan against the totalitarian regime of Generalissimo Chiang Kai-chek's Chinese Nationalist Party. The subject was officially taboo for decades. On the anniversary of the event in 1995, Taiwanese leader Lee Teng-hui addressed the subject publicly. The event is now openly commemorated and February 28 is named as Peace Memorial Day.
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Los Angeles Eco-Village is a residential community promoting an ecologically-sustainable lifestyle, founded by social activist Lois Arkins and managed by CRSP (Corporative Resource Service Project).
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Samuel Beckett (13 April 1906 – 22 December 1989) was an Irish avant-garde novelist, playwright, theatre director, and poet.
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Logos for Ethnic Restaurants and Arts and Crafts Stores
Logos for Entertainment Industry
Logos for Solar Energy Business and Organizations
Other Logos
骆南植先生阳海设计室
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便携式太阳能烧锅 | 多功能地球村军用刀 | 舒适便用的头发吹干器 | 节省能源的茶壶 | 便携式桌面兼文具箱 | 吸尘器 |
园圃整修工具 | 车辆风格设计 | 电子秤 | 邮箱设计与制作 | 节省空间的可折叠家具设计挑战 | 其它设计意念 |
新产品设计项目 |(b)著述:免费在线工业产品设计课本 |(c)设计服务
2. 工程技术:(a)作品:电脑辅助绘图与设计软件技术 | 机械工程绘图(正射图、轴测图、透视图)|
建筑和室内设计绘图 | 建筑和室内设计效果图 |(b)著述:免费在线描绘几何与板金设计课本 |(c)设计绘图服务
3. 中小学工程技术教育:(a)网页:首页 | 指导方针 | 中小学工程技术教育改革远景规划论文 | 研究成果 |
教学实验方针 | 远景规划产生的历史 | 研究进度报告 | 支持与建议(b)广告服务
4. 商业美工设计:((a)作品:公司标志 | 购物袋 | 食品包装 | 产品包装 | 礼品背包 | 礼品包装纸 |
纺织品图案 | 海报 | 餐馆菜单 | 商业手册 | 气球 | 杂志封面 | 益智游戏和包装 | 宝相花(曼荼罗)| 派对用品 |
CD 和 DVD 光盘封套 | 家族徽章 | 促销点展览盒 (b)著述:美国现实市场中的商业美工设计 |
(c)设计服务
5. 工艺美术:(a)作品:传统美术 | 数码美术和摄影 | 设计基础 | 立体造型( 3ds MAX 软件) |
立体动画(3ds MAX 软件)| 立体造型(Maya 软件)| 立体动画(Maya 软件)| 平面动画(Flash 和 AfterEffects 软件)|
立体造型(Inventor 软件)| 立体造型(Bryce 软件)|(b)著述:Adobe Photoshop 软件特殊效果技术 |
(c)美工服务 |(d)画廊和网店(数码摄影 | 陶瓷 | 油画)
6. 翻译写作与网站设计:(a)作品:写作 | 翻译 | 网站开发 |(b)文宣服务
7. 社会服务网络:美国新华人 | 美国新华人基督徒 | 新八旗 | 默耕鞑山的满州精神乐园 | 中国历史真相
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